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Dutch Milkmaid Braids Instructions:. Your email address will not be published. The humble walls illuminated by daylight of different intensities, present one of the most challenging pictorial problems in Vermeer's oeuvre. When similar representations of walls by contemporaries are compared to those of Vermeer, one cannot help but note the various tones of gray pigment used.

Instead, in Vermeer's renderings these same or similar tones, appear inseparable from the illusion of the natural light as it rakes across the uneven texture of the plastered surface. Surprisingly, the palette Vermeer employed for painting the wall in this painting is simple as it is effective: white lead, umber and charcoal black. This simple formula for painting white objects was widely known but among contemporary genre painters perhaps no artist more than Vermeer was able to use it so effectively.

The lime-plastered walls were not only appreciated for their light-reflecting quality, but for their hygienic function, which was necessary for the production of cheese and beer.

The Dutch were known for their cleanliness then as today and Delft, where Vermeer lived and worked all his life, was the cleanest town of all.

Check out our milk maid dutch girl selection for the very best in unique or custom, handmade pieces from our shops   Dutch Milkmaid Braids Supplies: Rattail Comb; Bobby pins; Medium-hold hairspray; Dutch Milkmaid Braids Instructions: Step 1 / Begin by parting the hair where you normally prefer. I'm putting mine on the right side Vermeer's unassuming maid is slowly pouring milk into a squat earthenware vessel which is commonly known as a Dutch oven. The deeply recessed rim shows the vessel was meant to hold a lid to seal the contents for airtight baking

Foreigners often laugh when they are told that the earlier Dutch term schoon stands for both "beautiful" and "clean. The Shoemaker's Shop detail Quiringh Gerritsz.

van Brekelenkam Oil on panel, Norton Simon Art Foundation, Pasadena CA. From the outset of his career, Vermeer spared no pains to achieve the most powerful, communicative image possible making scores of major and minor alterations in the composition during the painting process.

It may come as a surprise that the present work, whose design is so stark and so solid as to seem inevitable, was achieved after considerable reworking. In fact, two large objects that were part of the original composition were painted out by Vermeer himself. In the lower-left behind the maid's skirt there once stood a large, open clothes basket with laundry issuing from it. A large rectangular object whose horizontal form suggests that it may have been a mantelpiece once stood behind the maid.

The Delft wall tiles and the footwarmer were, instead, afterthoughts.

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A Kitchen Hendrick Sorgh c. Metropolitan Museum of Art, New York. To appreciate the exceptional quality of this canvas, which has a remarkable impact on anyone who has the fortune to see it, it may be helpful to decipher Vermeer's intentions. Oddly, even though Vermeer's Milkmaid has been scrutinized from head to toe, art historians have generally ignored the question of what she is doing.

Obviously, she pours milk and does so in a particularly thoughtful way, but for what reason? Art historian Harry Rand addressed the question in great detail and his theory is reported below.

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First of all, the woman Vermeer depicts is not the home's owner, she is a common servant, not to be confused with the other servants called kameneirwho attended the personal needs of upper-class women and functioned simultaneously as a sort of guardians of their mistress. Vermeer's unassuming maid is slowly pouring milk into a squat earthenware vessel which is commonly known as a Dutch oven.

The deeply recessed rim shows the vessel was meant to hold a lid to seal the contents for airtight baking. Dutch ovens characteristically were used for prolonged, slow cooking and were made of iron or in the case of the present painting, of ceramic.

Rand posits that the key to the contents are the broken pieces of bread that lays before her in the still life assuming she has already made custard in which the bread mixed with egg is now soaking. She now pours milk over the mixture to cover it because if the bread is not simmering in liquid while it is baking, the upper crusts of the bread will turn unappetizingly dry instead of forming the delicious upper surface of the pudding.

The maid takes such care in pouring the trickle of milk because it is difficult to rescue bread pudding if the ingredients are not correctly measured and combined. The foot warmer with its smoldering ember on the floor below reinforces Rand's hypothesis. The maid's kitchen is not properly heated. In the best well-to-do houses, two kitchens were often found, one "hot" for daily cooking of meats, breads etc. The cold kitchen did cause the all-important butter to melt and allowed the cook time to fold it into dough or crusts.

Thus, Vermeer describes not just a visual account of a common scene, but an ethical and social value. He represents the precise moment in which the household maid is attentively working with common cooking ingredients and formerly unusable stale bread transforming them into a new, wholesome and enjoyable product.

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Her measured demeanor, modest dress and judiciousness in preparing her food convey eloquently yet unobtrusively one of the strongest values of 17th-century Netherlands, domestic virtue. The maid, of course, could have been making something far more simpler than Rand's tasty pudding, simple pap for small children made of bread and milk, ingredients present in Vermeer's painting.

The Bakery Job Berckheyde Oil on canvas c. It is more likely than not that the bread in Vermeer's Milkmaid was not made at home but purchased at the bakery shop, perhaps from one of Vermeer's collectors, Hendrick van Buyten, who owned the largest bakery in Delft. It is known that the Vermeer family had run up a considerable debt for bread which Vermeer's wife, Catharina, paid off Van Buyten with a picture by her late husband.

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The number of bakeries was considerable in 17th-century Holland, and like most merchants, bakers usually set up their operations in their own homes. Because their ovens were considered fire threats to adjacent property, they were often forced to live and do business in stone buildings. Since rye bread was the main food for the people, the price and quality of the rye bread were strictly regulated, but always low according to the bakers.

They tried to make the bread smaller, but the authorities appointed official controllers-obviously unpopular-to measure and weigh the bread in the shops. But besides common rye bread, bakers produced fine breads in various kinds of quality and taste. The regulation concerning white bread and other luxurious kinds of bread were not as strict as for rye bread. The bread baker was not allowed to make biscuit, pie or pastry, since the guild had been split up and each delicacy had its own guild.

In a work by Job Berckheyde, a baker is shown blowing a horn to announce his new production of bread, rolls and pretzels all ready for sale. Contredanse [1.

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Vermeer specialists have long been puzzled by a presumed anomaly of the perspectival construction of the clothe-covered table. Only recently has its real construction been understood.

Dutch art expert, Taco Dibbits, has revealed that the table was, in effect, was a Dutch 17th-century gateleg table with, when open, an octagonal top. Such a table would have been readily understood by Vermeer's contemporaries. In the diagram below, the white lines trace the visible orthogonals, which, correctly converging at the picture's vanishing point, inform the height of the painter's eye as he painted the picture.

The yellow lines trace to the perimeter of the folded table.

About this year Vermeer paints his first true genre pieceA Maid Asleep. This work is only one or two steps removed from The Procuressa low-life brothel scene of the kind which is very popular among Dutch burgers. The artists' palette in A Maid Asleep is warm fairly somber. A rich oriental carpet delimits the foreground and creates a flat space of both paintings. However, the horizontal and vertical organization of the later painting's planimetric surface, which would become a hallmark of the artist's oeuvre, appears for the first time.

In respects to his contemporaries, Vermeer tends to minimize narrative and overt didactic messages. Maria Thins, in the first draft of her testament, leaves to Vermeer's daughters jewels wrings bracelets and gilded chains and the significant sum of three hundred guilders to Vermeer and Catharina, Vermeer's wife. In the same testament Maria Thins wills to Vermeer's first child, Maria, two hundred guilders. The child's name is an almost certain sign of good will that existed between Vermeer and his mother-in-law.

In Nov. van Ruijvena wealthy Delft citizen and art collector who will have likely purchases in the coming years more than twenty of Vermeer's works.

This money may be a kind of advance payment on the purchase of future works. Van Ruijven is now considered Vermeer's only patron although he occasionally sold works to others. The framemaker Anthony van der Wiel, who had married Vermeer's sister Gertruy, registers at the St Luke guild as an art dealer. Both Pieter de Hooch and Vermeer begin to paint the genre interiors refining a regional south Holland type, lending it a more realistic qualities of space, light and atmosphere. The Dordrecht landscape artist Aelbert Cuyp borrows warm light and hilly scenery from Italian landscape painters.

Diego Velazquez paints Las Hilanderas "The Spinners". The Corsini pays Guercino ducats for the Flagellation of Christ painted in Guercino is remarkable for the extreme rapidity of his execution. He completes no fewer than large altar-pieces for churches, and his other paintings amount to about In he begins his frescoes in the Duomo of Piacenza.

Guercino continues to paint and teach until to the time of his death inamassing a notable fortune.

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Le Sieur Saunier writes Encyclopdie des beaux espritsbelieved to be first reference book with the word "encyclopedie" in its title. Universal Mathematics Mathesis Universalis by John Wallis amplifies the English mathematician's system of notation, applying it to algebra, arithmetic and geometry.

Wallis will be credited with inventing and introducing the symbol for infinity; he demonstrates the utility of exponents, notably negative and fractional exponents. A 4-year Dutch-Portuguese war begins over conflicting interests in Brazil, but Johan de Witt will end the hostilities with a peace advantageous to the Dutch. Coffee advertisements at London claim that the beverage is a panacea for scurvy, gout and other ills.

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Public sale of tea begins at London as the East India Company undercuts Dutch prices. The Flushing Remonstrance is written to Nieuw Amsterdam's governor Peter Stuyvesant December 27 which is probably the first declaration of religious tolerance by any group of ordinary citizens in America.

The first London chocolate shop opens to sell a drink known until now only to the nobility. About this year, Vermeer's paints one his first known interiorsGirl Reading a Letter at an Open Window. Although this kind of subject is first experimented by Pieter de Hooch and other predecessors, Vermeer purges the scene of its anecdotal character, concentrating on formal compositional values and rendering of light.

From the beginning of his career, Vermeer demonstrates himself not so much as an inventor but one who is able to elaborate current pictorial conventions in the light of his unique personal experience. He is unique among Dutch artists in his ability to incorporate the fundamental, moral seriousness of history painting into his representations of domestic life.

In these years, Vermeer probably begins to distance himself from his family of origin. This fact is seen in his failure to name any of his children after his mother or father as was common practice of the time. His first two daughters, born beforewere named Maria and Elizabeth after his mother-in-law and her sister. Pieter de Hooch : paints Courtyard of a House in Delftone of his finest works. De Hooch's courtyards likely inspire Vermeer's Little Street.

Moliere is anointed with the patronage of King Louis XIV and leaves behind a body of work which not only changed the face of French classical comedy, but will go on to influence the work of other dramatists the world over.

The greatest of his plays include The School for HusbandsThe School for WivesThe MisanthropeThe Doctor in Spite of HimselfTartuffe,The Miserand The Imaginary Invalid Amsterdam naturalist Jan Swammerdam21, gives the first description of red blood cells. He will complete his medical studies in but devote himself to studying insects see science,tadpoles, frogs and mammals rather than practicing medicine. ruler over England's Puritan parliament -dies at age Richard Cromwell succeeds his father as English Lord Protector.

Around orVermeer's irascible brother-in-law Willem Bolnes leaves his father's house in Gouda to live on one of the family's properties in Schoonhoven. He incurs in debts and borrows money from his mother, Maria Thins, since his father becomes too impoverished to help. Willem apparently has no work of any kind. He later becomes a problem for Vermeer and his wife.

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In the late s Vermeer, paints two exceptionally luminous interiors, inspired by genre models of the time. In both Officer and Laughing Girl and The Milkmaid Vermeer uses his famous "pointillist" technique thick points of light colored paint in the most intensely lit areas of the composition called pointilles. This technical artifice conveys a sense of brilliancy rarely seen in any other of his works.

Vermeer never again paints a member of the lower working class. Jan van der Weff d. Johan Willem, Elector Palatine, whom he had met inappoints him Court Painter in at a salary of 4, guilders on condition he work for him six months of the year.

In this term is increased to nine months, and he is made a knight. He remains in Rotterdam, making trips to Dusseldorf to deliver pictures and paint portraits.

Jan Janz de Heem d. Son of the celebrated still life painter Jan Davidsz de Heem he is baptized on 2 July I in Antwerp. From to he works in Utrecht with his father who sometimes retouches the son's work.

There has been much confusion between the work of father and son. Jan Jansz is last recorded in a document of Oedipus is written by Pierre Corneille at the Hotel de Bourgogne, Paris. Christiaan Huygens of Holland uses a 2-inch telescope lens and discovers that the Martian day is nearly the same as an Earth day. He also discovers the rings of Saturn and is able to construct a chronometer for use at sea; however, it is influenced by the motion of the ship and does not keep correct time.

English physician Thomas Willis38, gives the first description of typhoid fever.

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Elementa curvarum, written by Jan De Witt b. Holland, Januaryd. It appears as part of an edition of Schooten's Geometria a Renato Des Cartes. The Spanish infanta Marie Therese introduces the French court to cocoawhich will be endorsed by the Paris faculty of medicine and received with enthusiasm until it becomes surrounded with suspicion as an aphrodisiac in some circles and as a mysterious potion in others. Vermeer turns to a new and more complex type of composition in the late s or early s in which he explore the amorous relation between educated men and women.

The box-like, three-dimensional effect of these pictures is fruit of the artist's interest in perspective as an expressive means. The study and practice of perspective is held in high esteem throughout Europe. Vermeer is appointed one of the headman of the Guild of Saint Luke to a term of two years. This fact has been interpreted as a testimony of the high esteem in which the artist was at the time held.

However, by the time Vermeer is elected headmaster, many of the painters resident in Delft had left for the more prosperous Amsterdam and so his election may have less significance than usually thought. Vermeer and his wife bury a child in the Old Church. The same document states that at the same time, Vermeer and his wife are living in the house of Maria Thins on the Oude Langendijk in Delft. At the time, the household includes Vermeer, his wife, his mother-in-law, and three children, not counting an infant who had died and at least one female servant.

The house has a basement, a lower hall with a vestibule, a great hall, a small room adjoining the hall, an interior kitchen, a little back kitchen, a cooking kitchen, a washing kitchen, a corridor, and an upper floor with two rooms, one of which is taken up by Vermeer's studio.

Vermeer's family situation is unusual. Very few married men in the Netherlands live with a parent or parent-in-law for an extended period of time. Vermeer's marriage too, must be considered exceptional in as much as he marries outside his own family's religion and social class. He moves from the lower, artisanal class of his Reformed parents who lived on the Delft Square to the higher social stratum of the Catholic in-laws who instead live in the so-called "Papist Corner," the Catholic quarter of the city.

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The burial record of his child is the earliest known notice of the artist's residence in Maria Thin's house. Jan van Mieris d. Son of the famous Frans van Mieris, Jan paints principally history subjects, but his earliest works were apparently genre scenes in his father's manner.

Jacob van Ruisdael paints Jewish Cemetery. The painting's ruinous scene exemplifies the trend toward turbulence in Dutch landscape at mid-seventeenth century. Adriean Coorte d. Coorte devotes himself to the rendering of simple objects in small paintings. His paintings often have strong illumination that gives the composition an enchanting stillness, which contributes to Coorte's appeal. Alessandro Scarlatti d.

Marcello Malpighi discovers that the lungs consist of many small air pockets and a complex system of blood vessels. By observing capillaries through a microscope he completes the work of Harvey in describing the circulation of the blood. Robert Boyle announces in New Experiments Physico-Mechanical Touching the Spring of Air that removing the air in a vacuum chamber extinguishes a flame and kills small animals, indicating that combustion and respiration are similar processes.

May 28, George I, king of England -is born. May 29, Charles IIwho had fled to France, is restored to the English throne after the Puritan Commonwealth. Charles made a deal with George Monck, a general of the New Model Army, and with the old parliamentary foes of his father.

The British experiment with republicanism comes to an end with the restoration of Charles II. The Dutch crafted an early version of a boat they called a " yacht.

In the s, the British began to dominate the trade in port wine from Portugal after a political spat with the French who deny them their wines from Bordeaux. Brandy is added to the Portuguese wines to fortify them for the Atlantic voyage. In the View of DelftVermeer's largest canvasthe artist continues to explore visual effects produced the camera obscura, a precursor of modern camera.

These effects can be first noted in the Girl Reading a Letter at an Open Window and became obvious in Officer and Laughing Girl and The Milkmaid. The View of Delft is sometimes considered to be the first true urban landscape in western art history.

Check out our dutch milk maid selection for the very best in unique or custom, handmade pieces from our shops Check out our dutch girl milk maid selection for the very best in unique or custom, handmade pieces from our shops The Milkmaid, sometimes called The Kitchen Maid, is an oil-on-canvas painting of a "milkmaid", in fact, a domestic kitchen maid, by the Dutch artist Johannes Vermeer. It is now in the Rijksmuseum in Amsterdam, the Netherlands, which regards it as "unquestionably one of the museum's finest attractions". The exact year of the painting's completion is unknown, with estimates varying by source. The

Other than the extant View of Delft and The Little Street archival records raccount that Vermeer paints another cityscape demonstrating the artist's more-tha-sporadic interest in the field. In Dec. Maria ThinsVermeer's mother-in-law, purchases a grave in the Nieuwe Kerk in Delft.

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Originally from Gouda, at this time she probably had come to understand that her son-in-law had become an inseparable part of the family she headed. Willem Bolnesbrother of Vermeer's wife Catharina, showed up on several occasions at Vermeer's house and made trouble.

Several witnesses, including Tanneke Everpoel, Vermeer's servant which some scholars believe to have posed for The Milkmaid, claimed that Willem created violent commotion, causing people outside to come to the front door and listen.

He swore at his mother Maria Thins, with whom Vermeer and his family resided, and called her an "old popish swine," a "she-devil," and other words "that could not be decently mentioned. He also once threatened Catharina with a stick although she was pregnant "to the last degree.

Tannake prevented Willem from hitting her with it.

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None of this violence seems to have worked its way into the world of Vermeer's art. Willem Bolneslike his father, seemed to be prone to moments of uncontrollable violence.

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He soon after had another serious incident which left Maria Thins with a guilder fee to pay two surgeons and wine necessary to help him recover.

In the estate inventory of an innkeeper named Cornelis de Helt, who died inthe first item listed is as "a painting with a black frame by Jan van der Meer.

The Tent of Darius by Charles Le Brunnow 42, is commissioned by Louis XIV to create a series of subjects from the life of Alexander the Great. Le roi de soleil fancies himself a latter-day Alexander and makes Le Brun first painter to the king, giving him a huge salary. The Chateau Vaux-le-Vicomte is completed for France's minister of finance Nicolas Fouquet with a two-story salon.

Architect Louis Le Vau has designed the structure his College des Quatre-Nations is also completed this yearand landscape architect Andre Le Notre, now 48, has created its gardens. Le Notre will begin work next year on the gardens of Versailles.

The Paris Opera Ballet has its beginnings in the Royal Academy of Dance Academie Royale de Danse founded by Louis XIV. The Sceptical Chymist by Robert Boyle discards the Aristotelian theory that there are only four basic elements earth, air, fire and water and proposes an experimental theory of the elements see Boyle will be called the "father of chemistry" but he holds views that will encounter skepticism from later chemists, e. Henry Slingsbymaster of the London Mint, proposes the "standard solution," a mix of fiat rules and free markets, to resolve the ongoing problem of money supply and coin value.

Britain adopted the idea in and the US followed in Water ices go on sale for the first time at Paris under the direction of Sicilian limonadier Francesco Procopio dei Coltelli from Palermo.

Fruit-flavored ices were originated by the Chinese, who taught the art to the Persians and Arabs. Send me an email at: jonathanjanson essentialvermeer.

Want to make this the perfect website Vermeer deserves? Take a poll. Essential Vermeer 3. Find it with QUICK SEARCH!

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The Complete Interactive Vermeer Catalogue. The Milkmaid De Melkmeid Vermeer: - Arthur K. The Public and the Private in the Age of Vermeer, Walter Liedtke Vermeer: The Complete Catalogueand Wayne Franits Vermeer The Rijksmuseum, Amsterdam inv. Looking for another painting by Vermeer? Track current location of this painting.

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