Movie Review: Munjya (2024) | Access Bollywood

2 Stars (out of 4)
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Munjya is a nice-looking horror comedy that struggles with its central theme.
The story begins in 1952 in a village in Konkan. A young boy named Gotya (Ayush Ulagadde) is furious that the teenage girl he has a crush on is marrying someone else. He poisons the bride Munni’s fiancé and is publicly whipped by his parents for his destructive obsession. At night, Gotya takes his younger sister Gita (Khushi Hajare) to a sacred tree, intending to sacrifice her to a demon in exchange for Munni’s hand. But Gotya fatally injures himself, binding his spirit to the tree and becoming an evil spirit known as Munjya.
Generations later, timid hairdresser Bittu (Abhay Verma) suffers from frightening visions and hears Munjya’s voice. His mother Pammi (Mona Singh) and paternal grandmother Gita (Suhas Joshi) — the little sister from the intro — shielded him from the family’s sordid history and the role it played in his father’s death. Bittu learns the truth when the family returns to his father’s ancestral village, and he sets out to find the voice that calls to him.
Munjya — who is now a creepy blend of boy and tree — seizes the opportunity to escape, binding himself to Bittu. Death follows, and Munjya vows to kill everyone Bittu cares about in his quest to marry Munni. While Munni herself is now an old woman, her granddaughter Bela (Sharvari) — who happens to be Bittu’s childhood friend and unrequited crush — is her spitting image. Munjya decides he wants Bela instead.
The parallel’s between Munjya’s one-sided love and Bittu’s crush are obvious, but they don’t overlap enough to meaningfully support a theme. Bittu is never in any moral danger of his own preoccupation turning into a violent obsession, and Munjya is so single-minded that he never twists Bittu’s feelings to his own ends. There’s a late mention about mutual consent in relationships, but the idea is otherwise underdeveloped.
Instead, the story — directed by Aditya Sarpotdar and written by Niren Bhatt — treats Bittu’s cowardice as the flaw he must overcome. Yet Bittu is more shy than cowardly. Sure, he’d rather not upset his overbearing mother, and he hasn’t told Bela how he feels, but he’s otherwise pretty brave. He’s planning to study cosmetology in America by himself, and he seeks out Munjya all on his own.
If he’s afraid of Munjya, it’s with good reason. Munjya’s persistence and his capacity for violence are legitimately scary. While there aren’t many jump scares, imagining what it would be like to live harboring a killer demon is frightening enough.
Though billed as a horror comedy, the first 45 minutes are straight horror. Things lighten up a bit when Bittu enlists the help of his filmmaker friend Spielberg (Taranjot Singh), but by that point things are so grim that the balance feels off. The chaotic comic action sequence when the heroes confront Munjya is more tedious than humorous. There are a few very funny jokes, however, including the fraudulent faith-healer Padri’s (Sathyaraj) dubious story about the original vision for Indiana Jones.
An unfortunate side effect of Munjya‘s lackluster story is that none of the acting performances stand out. Everyone is adequate.
Given that the character Munjya is entirely computer generated, one of the big questions is: how does he look? Pretty terrific, actually. He’s substantial enough that his interactions with the characters and the environment feel believable. Munjya sets a new standard for the level of effects quality fans should expect from Hindi films going forward.
Overall, Munjya is a very good-looking movie. The seaside setting and gloomy forests are lovely in their own right. Nighttime shots are perfectly lit to set the mood without obscuring the action. The movie has all the style but needs more substance.
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