May 3, 2024

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Hindi Movie Qawwalis – 4 – Mehfil Mein Meri

6 min read

When I considered of the ‘Qawwali songs’ put up in December, it wasn’t prepared to be a series. But as I went by means of the music, I located it correct to divide it into quite a few components so that I can incorporate the greater part of my favourites.So significantly I have posted qawwalis from the 40s to the 80s in 3 parts. Today’s element, the previous in the collection, will aim on qawwalis from the 90s and onwards.

In the former pieces, the bulk of the tracks stuck to the essential composition of the qawwali. In the 90s and further than period, I observed that a couple of the tunes took a form of inspiration from the qawwali, and incorporated specific new features in it perhaps to fit the switching trends in Hindi cinema. Here I would like to mention a pair of songs from the 90s. ‘Kaisa Yeh Pyar Hai Allah Allah’ from Aur Pyar Ho Gaya and ‘Teri Jawani Badi Mast Mast Hai’ from Pyar Kiya To Darna Kya.

Still numerous songs experienced the standard presentation and clapping rhythm of qawwali. I’ve attempted to integrate the tunes that I thought maintained the usual aura and aroma of classic qawwali.

So listed here I’m with qawwalis from Hindi films from the 90s and further than.

1. Der Na Ho Jaye Kahin – Henna (1991) Lata Mangeshkar, Suresh Wadkar, Sabri Brothers & Refrain / Prepared and Composed by Ravindra JainThis was the very first track that I remembered when I considered about the previous section of the sequence. The music by was really common for the duration of the launch of the motion picture and I however like it though it is been more than 30 years. It is in fact a wedding tune introduced in a qawwali style, the place all are awaiting the groom. There is a sensation of impending doom through the tune, which regrettably will come true, when Rishi Kapoor fulfills with an accident. The music is lip synched by Javed Khan Amrohi, Shashi Kiran and Roma Manek. The latter is continue to remembered as ‘Madri’ from B R Chopra’s Mahabharat. The to be bride, Ashwini Bhave loses endurance in the conclude and joins the track in a grim mood.The track somehow seems like a unfortunate counterpart of the song Main Der Karta Nahin. You can compare the opening songs of the music. And Rishi Kapoor’s verse is entirely in sync with the tune, Main Der Karta Nahin. Here’s the connection for the online video.

2. Deewane Tere Naam Ke – Saudagar (1991) Sukhwinder Singh & Chorus / Laxmikant Pyarelal – Anand BakshiA wonderful qawwali lip synched by Anupam Kher. Even though there are clapping seems during the track, no a person is viewed clapping on monitor. And the movie edition has only one particular stanza in distinction to a longer audio version.There was an exciting craze in that period when the films when unveiled and became well-known, a tune would be additional later for repeat audiences. This was just one of these types of songs. I distinctly keep in mind purchasing the audio cassette for the 2nd time for this song, substantially in opposition to my parent’s wish. Off hand I remember a couple of films that had this sort of ‘added later’ tunes.

Up coming few of songs attribute the well known Sabri brothers. They are amongst preferred Qawwals and I feel qawwali runs in the family.

3. Nahin Hona Tha – Pardes (1997) Sabri Brothers, Udit Narayan, Alka Yagnik, Hema Sardesai / Nadeem Shravan – Anand BakshiI consider this is not specifically a standard qawwali, while the presentation does sound like one particular! There are no clapping sounds at all, but however!

4. Ek Mulaqat Zaroori Hai Sanam – Sirf Tum (1999) Sabri Brothers, Jaspinder Narula & Chorus / Nadeem Shravan – Sameer‘Sirf Tum’ was 1 of the top grossers of the 12 months and the vast majority of the tracks were well-liked too. I have not viewed the motion picture, so I am not aware of the situation in the track and I’m not sure if it was solely picturised or not. It looks only a section of it was incorporated in the movie. A standard qawwali with all the features of it. Sabri brothers’ impressive voice is whole of expressions and if you are a qawwali lover, you would absolutely get pleasure from listening to this a bit longish duration qawwali.

5. Piya Haji Ali – Fiza (2000) Kadar Ghulam Mustafa, Murtuza Ghulam Mustafa, A R Rahman & Shrinivas / A R Rahman – Miya Shaukat AliOne of the most effective songs by A R Rahman. It’s a peaceful working experience listening to the qawwali. And qawwali was initially intended to be a devotional Sufi tune sung in the premises of holy places like dargah. So this is a excellent in shape.

6. Dulhe Ka Sehra Suhana – Dhadkan (2000) Nusrat Fateh Ali Khan & Refrain / Nadeem Shravan – SameerDhadkan was also one particular of the top rated grossers of the calendar year and all the tunes of the movie were being massively well-known, which includes this amazing qawwali by the qawwali maestro himself. The song operates throughout the wedding ceremony ceremony, right from the rituals to the bidai. On screen it’s sung by Kader Khan.

7. Tumse Milake Dil Ka Hai Jo Haal – Principal hoon Na (2004) Sonu Nigam & Refrain / Anu Malik – Javed AkhtarWhat should really I say about this a single! I cannot feel it’s been 20 years considering the fact that the track! It is still new and maintains big reputation. It is picturised on Zyed Khan and Amrita Rao in the first half, even though Shah Rukh Khan and Sushmita Sen enter in the later 50 percent. Both equally the heroes lip sync to Sonu Nigam. Though there is a touch of new era songs, the song continue to maintains the uniqueness of Qawwali.

8. Ishq Ki Dastan Sari Mehfil Sune – Taj Mahal (2005) Kavita Krishnamurthy, Preeti Uttam & Refrain / Naushad – Naqsh LyallpuriI really do not know how many of the readers recall this historic film. The Zulfikar Syed, Kabir Bedi, Manisha Koirala, Sonya Jehan starrer film was directed by Akbar Khan. It was the previous motion picture the veteran composer Naushad composed for. This tune became a bit well-liked during its release and I remembered it beautifully for the checklist. Really don’t hope the magic of Naushad’s compositions from the 50s and the 60s, but not negative possibly! Sorry for an regular good quality video, but seemingly it is the only a single offered!

9. Maula Mere maula – Anwar (2007) Roop Kumar Rathore & Refrain / Mithoon – Sayeed QuadriWhat a beautiful composition! Even even though the movie and the lead pair (Siddharth Koirala and Nauheed Cyrusi) are overlooked, the music will generally be remembered. Besides for the original little time period, the tune runs in the qualifications. The track may not be a normal qawwali, but it does sound like one particular to me!

10. Arziyan – Delhi 6 (2009) Javed Ali, Kailash Kher & Refrain / A R Rahman – Prasoon JoshiAnother comforting qawwali in its unique sort.

11. Rangrez – Tanu weds Manu (2011) Krisna / Krisna – Raj ShekharThe track operates in the track record for a important extent. What a beautiful qawwali! In addition, performances by R Madhavan and Kangana Ranaut just take it to a future amount. Their facial expressions are so apt.

12. Bhar De Jholi Meri – Bajrangi Bhaijaan (2015) Adnan Sami / Pritam – Kauser MunirA superb qawwali. Adnan Sami began about 2000 in India and quickly recognized himself as a singer, playback singer and composer in Hindi films. His visual appeal in Bajrangi Bhaijaan extra a devotional angle to the climax of the movie that follows future. The song is my personal favorite way too.This track was there on 1 of my previously lists as well. It was also described by AKji from the blog, SoY in his comments on one of the earlier parts.

Remember to add your favorite qawwali inside of the timeline.

Disclaimer –Mehfil Mein Meri, statements no credit rating for any picture, screenshots or tunes posted on this internet site. Images on this blog are posted to make the textual content attention-grabbing. The illustrations or photos and screenshots are the copyright of their authentic proprietors. The track backlinks are shared from YouTube, only for the listening usefulness of music fans. The copyright of these music vests with the respective owners, producers and audio companies.

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